Students currently in 8th-11th grades may apply.

The Jazz Division is designed to create not only a proficient Jazz performer, but a well-educated and literate musician. Students are taught scales, chords, and fundamental stylistic elements of various periods of Jazz through specific repertoire of Jazz literature. Students are expected to memorize a minimum of four songs with solo transcriptions each semester and perform these works in a combo setting in class and the weekly student performance class. Students will also perform these requirements at the Jazz juries at the end of each semester. Also, students are taught via books, handouts, master recordings, performance videos, and various guest artist master classes about the great Jazz artists and their significant contributions to Jazz history. Students also learn about the masterworks of Classical music and study comparisons in the various styles.

It is strongly recommended that all students first attend the NOCCA Jazz Audition Information Session before attempting the official NOCCA Jazz audition.

Students should take PRIVATE OR GROUP MUSIC LESSONS OR PARTICIPATE IN AN ORGANIZED MUSIC PROGRAM for at least ONE FULL YEAR with a QUALIFIED Jazz instructor to have the necessary skills required to pass the NOCCA audition.

At the audition: 

Students who audition for NOCCA are expected to be able to do ALL of the following:

    • Play the melody and improvise with the blues scale over a basic 12-bar blues form. Pianists and guitarists should know some basic Jazz chord voicings. Students may choose one of following blues tunes or another similar blues tune: St. Louis Blues (F Blues) Tenor Madness (Bb) Blue Monk (Bb), Second Line (Bb Blues) Sonny Moon for Two (Bb Blues) Now's the Time (F Blues) etc. Students may prepare a more advanced Jazz tune if they wish, but at the very least they must be able to improvise over the basic 12-bar blues form.
    • Play and spell the major, mixolydian (7th tone lowered a 1/2 step), and dorian scales (3rd and 7th tones lowered a 1/2 step) EVENLY and ACCURATELY with PROPER FINGERINGS in keys up to 3 flats and 3 sharps (C, F, Bb, Eb, G, D, A).
    • Play ARPEGGIOS for major 7th (1-3-5-7-5-3-1), dominant 7th (1-3-5-b7-5-3-1), and minor 7th chords (1-b3-5- b7-5-b3-1) EVENLY and ACCURATELY with PROPER FINGERINGS in keys up to 3 sharps and 3 flats (C, F, Bb, Eb, G, D, A).
    • Have solid knowledge of key signatures (up to 3 flats and 3 sharps), music theory, and basic intervals (minor 2nd, major 2nd, minor 3rd, major 3rd, perfect 4th etc.) for keys up to 3 sharps and 3 flats (C, F, Bb, Eb, G, D, A., and notes in BOTH clefs.
    • Sight-read a simple melody accurately with correct rhythm and intonation. (All students, all instruments.) Guitar Tab reading is NOT accepted.
    • Sight-read and play basic rhythm patterns accurately (basic 8th note and simple 16th note patterns, including basic time signatures).
    • Match pitches and short melodic patterns by ear (from the piano) and play them back on your instrument accurately and relatively quickly.

Drummers are responsible for all of the above requirements and will be asked to play scales and find notes on the piano by ear. It is strongly recommended that drummers have some experience playing the piano or some other melodic instrument. All students at NOCCA study music theory and drummers must be able to fulfill these requirements at the same level as every other student. Drummers who cannot fulfill these minimum requirements at the audition will not be admitted into the program.


Photo of Mark-Anthony Thomas

Mark-Anthony Thomas

Vocal Instructor, Musicianship Vocal Music


Emerging tenor Mark-Anthony Thomas is a native of New Orleans, Louisiana. He is graduate of the New Orleans Center for the Creative Arts, where he studied vocal music and received a Certificate of Artistry under the tutelage of Phyllis Treigle. He was selected as a winner of the New Orleans Junior Philharmonic Society competition in 2009. In 2012 Mark-Anthony traveled to Italy to study opera with the Siena Summer Music Festival under the direction of Metropolitan Opera veteran Dana Talley. Mark-Anthony is also a member of the New Orleans Opera Association Chorus and has appeared in its productions of Madame Butterfly, La Bohème, Carmen, Tosca, Die Fledermaus, Sweeney Todd, and Champion. He performed the title role in the world premiere of Chris Burton’s The Self Portrait of Jonathan Jenkins with New Fangled Opera, and in 2013 performed in Jennifer Jolley’s Krispy Kremes and Butter Queens as the Angel/Announcer #2. He also has performed various roles and concerts in the greater New Orleans area, specifically productions at Loyola University New Orleans, including Puccini’s Gianni Schicchi (Gherardo), Gounod’s Romeo and Juliette (Tybalt), Kurt Weill’s Street Scene (Daniel Buchanan), Poulenc’s Dialogues des Carmélites (First Commissioner), Massenet’s Cendrillion (Le Roi), and most recently, Ravel’s L’enfant et les sortilèges (La Théière). Mark-Anthony appeared in Nicholls State University’s production of Gershwin’s Porgy and Bess (Peter) in 2016. Mark-Anthony has appeared in Opera Creole’s and Cripple Creek Theatre Co.’s production of Scott Joplin’s Treemonisha as Andy in 2017 and as Servant/First Soldier in Jose Rivera’s, Sueño in 2018. Also in 2018, Mark-Anthony was a finalist in the World War II Museum’s Stage Door Idol Competition.

Mark-Anthony received his Master of Music from Loyola University New Orleans, studying with internationally acclaimed artist, Luretta Bybee.

Translate »